Every year, I let my HUM II classes give me a question to write a 45-minute in-class essay on--sort of a fair turnabout for all the writing I assign them! They give me four possible topics, and I pick one to answer. This year's two topics were "What is beauty?" and "What do you think of the doctrine of predestination?" Both pieces are severely limited by lack of time and space, but here they are, just the same.
What is Beauty?
We have discussed many important questions in this class,
but “what is beauty?” struck a nerve of its own. This might simply be because
of its eternal relevance. If we don’t know what beauty is, can we appreciate a
painting in a museum? The face of a movie actor? Who’s to say, really, whether
one room is more attractive in a house than another? Perhaps your friend might
like lots of ferns and exposed steel in a room, so that is “beautiful,” while
the other guy likes low-lit, open-concept Spanish ranch houses. Can we actually
find a standard to judge between them, or must we throw up our hands and give
way to a whirlpool of relative ugliness?
In our age, “beauty” is often relegated merely to the
natural form—the sort of word we use about pictures of Rocky Mountain
landscapes unspoilt by the hand of man, or a particularly fine bone structure
in the body of a Hollywood star. This is fine as far as it goes, but all too
often this degenerates into mere taste: one guy likes the Shenandoah Valley in
the early morning and the other likes LA sunsets (the smog really sets off the
clouds). But if beauty is merely personal taste, then we’ve reduced it to the perception
level of each person. No one can say what beauty is, the same way no one can
force me to like pineapple on pizza or the color combination of orange and
maroon. In short, we destroy the very concept of beauty by drowning it in a sea
of mere preference.